The world of publishing can be a complicated business, a special journey with paths that a debut writer could not easily foresee. As I’ve said a few times when I meet new situations, I’ve learned a lot. And one thing I’ve learned recently is that a cover you love can change.
But before you freeze or cry out in shock, just relax for a moment and know that it often happens for the best.
If you’ve followed me on Twitter or here on this blog, you’ve heard me gush about the magnificent work of Antonio Javier Caparo. With input from Penguin’s brilliant designer Maggie Edkins, he created my first cover, which you can read about in another post.
With input from Maggie, he also created my newest.
I am honored to have his work in this new cover for The Mad Wolf’s Daughter. The focus is exclusively on Drest, my young wee lass of a protagonist, so there’s no doubt who the book stars. As much as I loved the dark intensity of the last cover, I love the openness and light of this one. In this, Drest and her beloved sword stand out clearly, and Faintree Castle, her destination, is distinct.
Detail is this artist’s forte: Note that gloriously fierce expression in Drest’s face, one that challenges the viewer. There’s no sneer, but there’s a trace of humor in her narrowed eyes. And her grip on her sword shows that she’s ready for anything. And those fingernails are perfect for a lass who grew up where she did.
Some of the other characters will appear on the back or the jacket flats of the printed cover. But for now, meet the new cover. And meet Drest, front and center, with her sword Borawyn, just as she appears in the printed page.
